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carl heyward, usa: artist collaboration process

Carl Heyward: Artists’ Collaboration Process Primary to any understanding of the approach that GAP ( global arts project) has undertaken in its collaborative art practice is the principle of trust; trust in one’s fellow artists; trust in the process and trust in self. Without these essential elements nothing can be created; there is no GAP.

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patrick turkson, ghana: artist profile

Patrick Turkson’s artist profile, by Naomi Middelmann. Plastic Trash into Art Project: Patrick Turkson’s work is as vibrant in color as it is powerful in meaning. His process of working with found flip-flops and other found plastics and turning them into artworks (sculptures installations and performances), not only addresses the question of identity, memory, and

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carol heft “connections”: the inside of outsider art

With artist Imam Sucahyo, Indonesia. According to Dr. Hans Prinzhorn (1886-1933), art created by people with psychiatric illness and art by the masters are both “valid expressions of the psyche.” But what relationship is there between valid expressions of the psyche and art? This brings us to such questions as what is art, and how

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artist gouri mounir, algeria: el mustaqbal

[youtube]https://youtu.be/ay27Wyh095Q[/youtube]   El Mustaqbal (future) by Yessa Melili, France with Naomi Middelmann, Switzerland I discovered Gouri Mounir’s work thanks to Ron Shelton who sent me a link to his video called “ El Mustaqbal”, which translates to “Future.” I was immediately struck by the way, Mounir makes us feel like a voyeur of the suffering of

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carol heft “connections”: artist joskin shiljan, serbia

Artist Joskin Shiljan, Serbia Like the aesthetic that characterizes much of the Art Brut, Tachisme and Cobra movements, Joskin Shilian’s work both delights and disturbs; it combines graphics, drawing, painting, and text into a universal language of symbol, rather than depiction.  Primary colors and black and white lines echo the luminosity of leaded borders in

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