Author name: mshelton

HAF 75: box top art

Ilya Natarevich, Russia; Imam Sucahyo, Indonesi;  Novi Adi, Papua New Guinea; Dion Hitchings, USA, and Pierre Albasser and Seve Ailleurs, France are several artists who are forging remarkable trails of discovery with their work on recycled box tops and cardboard. Whether they are seeking a unique way to apply a particular type of paint or

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2018 GDUSA Winner

The HAF Artist Catalog was a 2018 American Graphic Design Awards winner. This project required a tremendous amount of time and energy to complete, and sincere gratitude is in order for the expert support from the following HAF members: Project Director: Ron E. Shelton Art Director/Designer: Michael K. Shelton Layout Assistance and Content Editing Support:

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herve beuze, le vauclin: artist profile

HAF was granted the opportunity to conduct an exclusive interview that features Hervé’s outstanding Armature installation at Fondation Clement, which runs through November 3. This arrangement presents a series of intricately crafted figures standing 4 meters (13 feet) high that serve as magnificent symbols of history, resilience, freedom, and so much more. As an accomplished

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katie fuller, usa: race and revolution

[vimeo]https://vimeo.com/176033779[/vimeo] When pressure builds to the point of implosion, a shift of consciousness is known to occur.   Movement in our global consciousness has surfaced, and artists are confronting important issues. Whether it be Ocean Contemporary’s, Bitteres Wasser  (“Bitter Waters”) in Berlin or Korean artist, Kim Taeyoun’s, “plastic island,” both of which address the alarming state of

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susanne schmidt-nielsen, denmark: about an overcoat

[youtube]https://www.youtube.com/embed/JO0VvGCnt5k[/youtube] Artist Susanne Schmidt-Nielsen, Denmark, shares with us one of her recent site-specific installation projects, About an Overcoat, which was shown last month at PAKHUSET Nykoebing Sjaelland, Denmark. I have watched her work evolve on HAF for the past 2 years. There is a thematic parallel between this particular work of Susanne’s and her previous installation

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